Rupanyup’s silo art is the work of Russian mural artist, Julia Volchkova, who turned her attention to the town’s youth and their great love of team sport. Capturing the spirit of community and providing an accurate insight into rural youth culture, the work features the faces of Rupanyup residents and local sporting team members, Ebony Baker and Jordan Weidemann, who are dressed in their sports attire (netball and AFL, respectively).

Adnate depicted Wergaia Elder, Uncle Ron Marks, and Wotjobaluk Elder, Aunty Regina Hood, alongside two young children, Savannah Marks and Curtly McDonald to celebrate the richness of the area’s Indigenous culture.

The word Goroke is the local Aboriginal word for magpie, so the native bird was a natural choice. Geoffrey then expanded the idea to include other native birds, including a kookaburra and galah.

The design features the Australian Hobby bird, which is smaller than other falcons, and is one of six Australian members of the family ‘Falconidae’. To the left of the bird is the plains sun orchid, with the salmon/pink sun orchid on the right.

Completed in early 2016 van Helten’s mural depicts a multi-generational quartet of female and male farmers. Rendered across the four silos, van Helten’s subjects bear expressions that exemplify the strength and resilience of the local farming community.

The silo on the left captures the grit, tenacity and character of the region’s young female farmers, who regularly face drought, fires and other hardships living and working in the Mallee. The silo on the right portrays a quiet moment between man and horse, who are relaxed and facing downward, indicating their mutual trust, love and genuine connection.

Melbourne artist Kitt Bennett was inspired to, “create an artwork that tells a story of growing up in the country as a youth. I have fond memories of exploring the bush and looking for yabbies under rocks in creeks with my parents. Reflecting on this weird and wonderful time as an adult is something that brings me a lot of happiness.”

When he met local sheep and grain farmer, Nick “Noodle” Hulland, Magee knew he had found his muse. The rugged, lanky local exemplified the no-nonsense, hardworking spirit of the region. Perhaps more importantly though, Noodle had just the right height and leanness to neatly fit onto the narrow, 35-metre-high canvas of the twin silos. Hulland’s solemn expression, sun-bleached hair and squinting gaze speak to the harshness of the environment and the challenges of life in the Wimmera Mallee.

He depicts local farming couple Geoff and Merrilyn Horman, part of a family that has lived and farmed in the area for four generations. Rone says that he wanted the mural to portray his subjects as wise and knowing, nurturing the town’s future with their vast farming experience and longstanding connection to the area.

The young girl, swinging from a Mallee Eucalyptus, looks over Lake Tyrrell and reflects on her Indigenous heritage. The Indigenous name ‘Tyrille’ means ‘space opening to the sky’ as the colours of dusk and dawn are reflected in the shallow saline bowl. The Boorong People were known to have more knowledge of astronomy than any other tribe, and their stories are rich in culture and connection to the lake. The artwork aims to connect and bring the viewer closer to some of the relatively ordinary and overlooked elements of the outback landscape and allows viewers to see these elements from a new perspective.

As a “nod” to the history of Nullawil the registration disc has a “galah” and “stick” engraved on it. The name of the town is derived from two Aboriginal words, “Nulla” which means killing stick, and “Wil” derived from the term “willock” meaning Galah.